Saturday, January 25, 2020

Violence Against Women In Music Essay -- Feminism Feminist Women Criti

Violence Against Women In Music    Particularly distressing in today's society is the level of dysfunctional relationships. Values considered outdated and baseless, such as mutual respect, consideration for another person's feelings, and common courtesy, are becoming extinct human customs. Especially troubling are the violent misogynous messages infused in hard-core rock and rap music and their negative effects on today's youth.    Healthy relationships of mutual love, respect, and compromise between men and women of all races and social classes are instrumental to a sane and stable society. Respect and reverence for mother, sister, wife, and daughter as the nurtures of civilization are key to our survival as a species. Many youth today approach their relationships with the opposite sex, mimicking the attitudes of the rock or rap entertainer.    As a musician, I can appreciate all forms of music as legitimate vehicles of artistic expression, not simply attaching aesthetic value to what I prefer. True art forms should express the ugly as well as the beautiful in human expression. However, if the art form explicitly expresses a message of debasement, hatred, or violence without just cause, then I question the validity of the message. A counter argument might claim that violent messages expressed through music are just a reflection of conditions that already exist. Violence directed towards women is an option that misdirects the causes from where true powerlessness derive... ...ent and sales of its product. Can the same standards of scrutiny be applied to any industry that promotes poor mental health? For the sake of entertainment, we have allowed ourselves to cross the line and permit the debasement of women and the promulgation of violence against them to become the norm. Parents, community leaders, educators, and entertainers must work together to demand maintaining the dignity of all persons addressed lyrically through music. The quality of intent should be carefully scrutinized in music especially targeted towards adolescents. If the intent is to debase, devalue, depreciate or diminish another human being or to create an atmosphere of senseless violence, we have a moral obligation not to support its marketing.   

Friday, January 17, 2020

“As Good As It Gets” Film Essay

Hollywood film producers and authors of fictional novels destined for the big screen have often given their characters psychological disorders. Producers and writers seek ways to add depth to their characters’ personalities and give them something to struggle against during the course of the story. The average movie-goer does not necessarily have the knowledge to determine if the disorder displayed on the big screen is accurate. To understand the dilemma of the average movie watcher, this paper reviews As Good As It Gets (Mark, Sakai, Ziskin, Producers, 1997) in the context of Melvin Udall, the protagonist, who suffers from at least two psychological disorders. The film followed Melvin Udall, a romance novel author, who exhibits a score of odd behaviors. During one scene Melvin visits his psychologist who states the author’s diagnoses as obsessive-compulsive disorder (OCD). However, Melvin also seems to struggle with the more troubling antisocial personality disorder, previously known as narcissistic personality disorder. David Myers (2014) defined obsessive-compulsive disorder (OCD) as â€Å"an anxiety disorder characterized by unwanted repetitive thoughts (obsessions) and actions (compulsions), or both.† The character, Melvin Udall, certainly exhibits OCD traits. His behaviors are compulsive and are often triggered by anxiety. For instance, he compulsively locks his door and flips the light switch in groups of five. He washes using extremely hot water and several bars of soap per washing. These are typical compulsions for those with OCD and are notable as those attributed to evolution and natural selection.  Other behaviors Melvin Udall exhibited include his preference for a particular table at a restaurant, his organizing of items by color and hyper-organized packing, and his refusal to step on the cracks of New York sidewalks. While Melvin’s behaviors seemed linked to anxiety, his OCD only manifested as compulsive behaviors. No evidence of obsessive thoughts was dramatized. Melvin struggled against an undiagnosed antisocial personality disorder throughout the movie as well. Melvin’s narcissistic tendencies manifested in his egotistical actions and his inability to show interest in another’s point of view. This often led to verbally abusive behavior. â€Å"Where do they teach you to talk like this? In some Panama City â€Å"Sailor wanna hump-hump† bar, or is it getaway day and your last shot at his whiskey? Sell crazy someplace else, we’re all stocked up here.† – Melvin Udall, As Good As It Gets Myers (2014) described a person suffering from antisocial personality disorder as generally a man who exhibits a lack of conscience for wrongdoing, even toward friends and family members. Melvin greets each person he interacts with his own sterotyped beliefs regarding their race, ethnicity, gender, sexual preference and so forth. Nothing he says is considered culturally acceptable. He often hurts the feelings of those he interacts with and is not the least bit affected by the knowledge. At times he seems to know hurting someone’s feelings by his words and actions is wrong, but does not understand why what he said was improper. He has trouble understanding, for example, why his love interest Carol Connelly is offended when he refers to her carefully selected dress as a â€Å"house dress†. At other times, he only seeks others out for what they can do for him, but are unwilling to reciprocate any sort of friendship. This is the case when he asks his publicist for a personal favor from her husband to treat Carol’s sick child, but this is unwilling to listen or even pretend to be interested in a story about her own son. The movie, albeit entertaining, is a poor substitute for education on psychological disorders. Because the only disorder mentioned is OCD, the viewer may be left with the impression that the antisocial behaviors, symptoms of a personality disorder, are a product of the  obsessive-compulsive disorder, an anxiety disorder. Melvin’s behaviors begin to normalize toward the end of the movie as he makes closer attachments with several other characters. This may falsely imply to the movie-goer that his psychological disorders are easily treatable or curable. People with mental illnesses suffer from a stigma from the greater community. Unfortunately, this movie perpetuates the dangerous notion that mental illness is something one can take a stance against and overcome through will and action. Mental illness, just like an illness of the body, requires medical intervention. References Mark, L., Sakai, R., Ziskin, L. (Producers), & Brooks, J. L. (Director). (1997) As Good As It Gets [Motion Picture]. United States: Tristar Pictures. Myers, D. G. (2014). Exploring Psychology. New York, NY: Worth Publishers

Wednesday, January 8, 2020

PG Case Study - 2393 Words

Summary Statement/Abstract Pamp;G is a global company that is involved in many different markets including beauty and grooming and household care. The company has been through a lot of change due to the O2005 project that was undertaken in 1999 and saw a complete overhaul of the company during those years. One product that also was involved a lot during that time was the SK-II skin care product which was popular in Japan and a man named de Cesare wanted to take the product global to either the Chinese or European market. However, in order to do this there was a lot of analysis and research which had to be done to determine which market was the best to move the product to and de Cesare had to make a recommendation to the GLT knowing that†¦show more content†¦A third factor to consider when making the recommendation to the GLT would be to take the three options that were presented which were: expanding to mainland China, expanding to Europe, or building on the brand’s success in Japan. All three of these choices hold different analyses which need to be considered before making any recommendation in the SK-II presentation. By doing all the research necessary in each market to determine which will be the most successful through the use of blind testing in both the Chinese and European markets along with determining market capabilities in each to decide on future profitability. From there analysis must be done to compare these markets and the profitability of each to the already proven success in the Japanese market and find out if expanding would be worth the cost as compared to trying to grow upon the 3% market share that was already held in the country which was proven could be doubled in the next six to seven years. 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